Epilogue
by Azly Rahman
poetry has come to me again
so often it knocks at the door of my eternal soul, i do not understand
hardly the time i have to gather the spirits inside of me
from their wanderings whilst i am deep in slumber
to gather them
... to warn them that poetry hath come
so excuse me while i kiss the sky
and caress the muse
and serenade the darkening stars
under this angry moon
canopied by the red blood sky
T'is not my nature with poetry I meant to hurt anyone
Philosophy is so powerful it permeates
and becomes love
and becomes poetry
and hence philos and sofia
and the hands write ...
But philos must come down and dwell amongst the citizens of Maya
I am philosophy in search of boundaries
religion in search of sensibilities
but perhaps, looking for these
from the balcony of the glass walls of ephemereality
--- i should not have meddled in the affairs of humans
nor look closely at pine trees
but your poetry have of late touched me so deeply ... so deeply
shattering boundaries I guard jealously
and yours are words that branched out of this physical reality
so real they are yet glazed with metaphysical reality
with pure religiosity
These conversations
we hold dear to our hearts
in the presence of the Thou
they are here to stay
come snowstorms
come sandstorms
come the company of angels on fire
These conversations shall remain cherished
and guarded from others who will never comprehend strange phrases i must utter
But not you perhaps
For I have long lit a candle
by the side of the biggest and strongest pine tree
and camp there nights so many
whilst I preach to this magic carpet
--- rats! how can I bring this tree for this magic ride?
never have I meant to transform dragonflies into trees!
tress will be trees
specks of dust will know joys and miseries
for these are where heaven and hell lie
in a world of fractal beauty and weeping dragonflies
We might never meet in flesh and blood
--- only in cybernetic reality
But this --- is the ultimate beauty.
At the "Louis XVI Collection, European Art" Metropolitan Museum of Art, New York, circa 2005
by Azly Rahman
poetry has come to me again
so often it knocks at the door of my eternal soul, i do not understand
hardly the time i have to gather the spirits inside of me
from their wanderings whilst i am deep in slumber
to gather them
... to warn them that poetry hath come
so excuse me while i kiss the sky
and caress the muse
and serenade the darkening stars
under this angry moon
canopied by the red blood sky
T'is not my nature with poetry I meant to hurt anyone
Philosophy is so powerful it permeates
and becomes love
and becomes poetry
and hence philos and sofia
and the hands write ...
But philos must come down and dwell amongst the citizens of Maya
I am philosophy in search of boundaries
religion in search of sensibilities
but perhaps, looking for these
from the balcony of the glass walls of ephemereality
--- i should not have meddled in the affairs of humans
nor look closely at pine trees
but your poetry have of late touched me so deeply ... so deeply
shattering boundaries I guard jealously
and yours are words that branched out of this physical reality
so real they are yet glazed with metaphysical reality
with pure religiosity
These conversations
we hold dear to our hearts
in the presence of the Thou
they are here to stay
come snowstorms
come sandstorms
come the company of angels on fire
These conversations shall remain cherished
and guarded from others who will never comprehend strange phrases i must utter
But not you perhaps
For I have long lit a candle
by the side of the biggest and strongest pine tree
and camp there nights so many
whilst I preach to this magic carpet
--- rats! how can I bring this tree for this magic ride?
never have I meant to transform dragonflies into trees!
tress will be trees
specks of dust will know joys and miseries
for these are where heaven and hell lie
in a world of fractal beauty and weeping dragonflies
We might never meet in flesh and blood
--- only in cybernetic reality
But this --- is the ultimate beauty.

At the "Louis XVI Collection, European Art" Metropolitan Museum of Art, New York, circa 2005
No comments:
Post a Comment